It didn’t have to be this way! Way back in 2014, BioWare art director Matt Rhodes drew up some concept art for what would eventually become this game. This was prior to the release of Dragon Age: Inquisition,

The Veilguard finally brings one of the most popular characters from the Dragon Age books to the games as a key part of Solas' story.

If you need help finding all Wolf Statuette locations in Dragon Age: The Veilguard, this guide has you covered.

The Veilguard has a ton of side quests throughout its multiple hub worlds, but one stands apart as probably the most important in the game, if not the entirety of BioWare’s fantasy RPG series. If you’re concerned about spoilers,

The Veilguard includes a range of returning characters who featured in previous stories, some with some unexpected consequences.

The Veilguard turns a lot of common franchise elements on its head, but the way it keeps one franchise tradition alive is quite funny.

Dragon Age: The Veilguard has three endings. Broadly and arguably too-simply, there’s a good ending, a neutral ending, and a bad ending. There’re a lot of choices that go into reaching these endings, but they all lead to one of these three:

The Veilguard is awkwardly in conflict with itself, torn into pieces that reflect a sequel to a decade-old RPG and a fresh beginning with no ties to what came before.

The Veilguard's biggest plot twist makes a second playthrough of the game hit harder, showing the effectiveness of its initial obscurity.

The Veilguard is a game about choice and consequence. One of the decisions that has the most immediate impact happens at the beginning of the game’s final quest. The effect this decision has on the remainder of the game and,