Prosthetics boss Pierre Olivier Persin, now an Oscar nominee for his work on Coralie Fargeat's buzzy body horror, speaks to ...

The film’s makeup lead recently opened up about the intricate process behind designing Monstro Elisasue, the haunting yet ...

“We called the first one the monster and ... ‘The Substance’ VFX team built on the practical effects designed for the film, including the sculpture of Elisasue, also known as Monstro.

Another unforgettable scene that’s already achieved cult status is the creation of the monster ... in gallery Monstro Elisasue was played by a stunt double (Mubi/The Substance) “The suit ...

Desperation drives her to use the substance to turn back the biological clock, only to end up birthing a monster of her own ... Monstro Elisasue, as she is dubbed, is a manifestation of ...

The Substance, a film by French director Coralie Fargeat ... The most challenging was creating ‘Monstro Elisasue’. Coralie wanted a ‘feminine’ monster; like an elephant but wearing ballet shoes.

The extreme body horror’s make-up artist tells The Independent how he achieved the special effects that shot the film to cult ...

Monstro Elisasue, the backfired product of Sue re-administering the initial Substance activator ... I think that was really important for her and for us too. It wasn’t a monster that kills people — it ...

It wasn’t a monster that kills people — it’s a tragic ... maker’s patience and attention to detail ensured that Monstro Elisasue was not just another horror villain but a fully realized ...

The Substance’s director, Coralie Fargeat, repeatedly described Monstro Elisasue as “put in a blender,” the makeup artist shares. Skip to main content Open menu Close menu ...